Monday, December 23, 2024

Maazel.


I've seen the best minds of my generation, eaten up, chewed to mush and spit out by the extractive billionaire MBA/CPAs who treat every sphere they touch as a coal mine in anthracite country.

They tell you you're lucky to have a job. They coerce you into working 60 hours/week and pay you for 40. They work you until you're used up and then they kick you to the curb. 

I've seen the best minds of my generation, destroyed by the industry they loved. While the fat, marzipan-skinned bosses fly to azure islands on private jets and herald the coming of the algorithms that will eat our remaining faces and suck dry our souls.

But.

All is not lost.

We can, you can, we all can say no.

We can find a little maazel. 

Some Henry Cooper guts and fight back.

How.

Here are 11 thoughts for generating your own personal maazel.

1. Take a mile walk at lunch. In other words, don't allow yourself to be a captive of your desk and your over-bearing boss. Get out of your plasticine workspace. Breathe air. See faces. Hear the music of the streets. Visit a museum. Work your legs, your wind, your mind.

2. Un-Suppress. Question why. Speak first. Assert. Ask what something means. Refuse to give into the diseased hierarchy where you're ruled by small minds with big titles.

3. Laugh. There's nothing in plutocrats that run advertising agencies understand less and hate more than laughter. Laughter is the prerogative of free people and free-thinking. It frightens them

4. Don't be a Stahkanovite. Aleksei Grigorievich Stakhanov was a Soviet miner who thought hard-work would lead to things like job security and money. I believed that for 40 years only to be fired at the age of 62. Remember Arthur Miller's words, "you can't just eat the orange and throw the peel away. A man is not a piece of fruit." Except management thinks you are.

This is not to say don't work hard. But don't think by working harder you will be secure, treated well, or protected. 

5. Transition. Most hegemonies want you thinking, "I am lucky to have this job." You must hegemon yourself and turn that into "they are lucky to have me."

6. Cultivate. The great Sally Hogshead once said to me, "George, you have three things in this business. 1) Your portfolio. 2) Your reputation. 3) Your network. Work on each of those each day. They're where your creativity and ardor will give you the most.

7. Make your brand better than their brand. That's not hard. Their brand sucks. Work on making yours unique and important. This frightens them.

8. Acronyms. There are two you need to know. Two that can inform your world view. YOYO--You're on Your Own. And WITT--We're in This Together. Chances are you're working for a YOYO. Escape to a WITT if you can find one.

9. Never use jargon. When you use the language of the Oligopoly you become a slave of the Oligopoly. Use simple, clear language that is not owned by the dominant culture. If you're really ambitious and want to know more about this, read Viktor Klemperer's "The Language of the Third Reich." 
Resistance starts with phonemes.

10. Care for yourself. Deep Self Appreciation. Your boss doesn't care. Management doesn't. The holding company doesn't. You must.

11. The three types of loyalty. Most people and organizations demand that you're loyal to them. Two other loyalties are important. Loyalty to your craft. The final loyalty is the one people forget. Loyalty to yourself.

That is what I've learned so far.

Friday, December 20, 2024

By Its Cover.

I'm probably wrong here, I usually am, but it seems to my aged and glaumy eyes, the advertising industry trails virtually every other industry when it comes to creative expression.

For years, I've kept a list of great websites that take complicated information and present it in arresting and interesting ways. Here's just one from the week before last. It starts with a piece of journalism--a photo by Art Kane from 1957--and is improved thanks to good creativity and a great use of today's design and tech. Here's the site I'm talking about.

Why agencies can't do work like this, or brands is beyond me. Except for five major reasons. 1) Why bother. 2) It takes time. 3) It costs money. 4) It might not win at Cannes. 5) No one's already seen it in a previous awards annual.

If one of the main questions an ad must address is "why would anyone care?" I question if ad agencies have that in mind anymore when they work. It seems like the goal of most advertising is to get something done. Not to do something worth doing.

But doing and achieving are light years apart. Doing is not achieving. Doing something meritorious is achieving. Somehow, we've swept that under the carpet tiles. It might upset people who, after all, are trying as hard as they can and besides, they have back-to-back meetings.

The Art Kane photo from 1957 and the New York Times update from two weeks ago are achievements. Show me advertising as engaging and I'll buy you a sugar-water diabetes infusion offering.


In any event, Print Magazine just published a list of 100 of 2024's best book covers. You might think of a book cover like you think of a banner ad on a crowded site or a print ad in September's Vogue. Your book cover is vying for attention--like your ad is vying for attention, like your tweet, ppt, your every move is vying for attention--and the only way to win amid that attention competition is to do something great. 

Great.

Not merely louder, or shinier, or celebrityier, but better.

I think the ad industry is spending a lot of time thinking about things that are the equivalent of pissing up a rope. Even if you can do it, your face is going to get wet. We've focused on margins, data, AI, merging, awards and pomposity. We focus on all manner of nonsense.

Anything but doing something breathtaking.


(By the way, my favorite cover is for Salman Rushdie's "Knife," by Arsh Raziuddin.) Here's Arsh's website. Like her book cover way below, It cuts through.

Cover design by Thomas Colligan
Cover design by David Pearson
Cover design by Arsh Raziuddin
Cover design by Suzanne Dean; illustration by Neue Gestaltung
Cover design by Cassie Vu
Cover design by Vi-An Nguyen; art by Sarah Bagshaw
Cover design by Kishan Rajani
Cover design by Henry Petrides
Cover design by Zoe Norvell
Cover design by Oliver Munday
Cover design by Alex Merto
Cover design by Clay Smith
Cover design by Oliver Munday
Cover design by Luke Bird
Cover design by Chris Bentham
Cover design by Kimberly Glyder
Cover design by Janet Hansen
Cover design by Jonathan Pelham
Cover design by Robbie Porter
Cover design by Pablo Delcan
Cover design by Charlotte Stroomer; photography by Kelsey McClellan
Cover design by Grace Han
Cover design by Luke Bird
Cover design by Oliver Munday
Cover design by June Park and Rodrigo Corral
Cover design by Arsh Raziuddin


Cover design by Isabel Urbina Peña
Cover design by Julianna Lee
Cover design by Jack Smyth
Cover design by Zoe Norvell; art by Gérard Schlosser
Design by Jaya Miceli; art by Jane Fisher
Cover design by Jonathan Pelham
Cover Design by Na Kim
Cover design by Farjana Yasmin
Cover design by Tom Etherington; illustration by Frances Waite
Design by Math Monahan
Cover design by Grace Han
Cover design by Alex Merto
Cover design by Joanne O’Neill
Cover design by Alex Merto
Cover design by Robin Bilardello
Cover design by Zoe Norvell
Cover design by Emily Mahon
Cover design by Janet Hansen
Cover design by Jenny Volvovski
Cover design by Jack Smyth
Cover design by Luísa Dias
Cover design by Tom Etherington
Cover design by Alicia Tatone
Cover design by Nicole Caputo
Cover design by Andrea Settimo
Cover design by Nico Taylor
Cover design by Anna Morrison
Cover design by Jack Smyth
Cover design by Christopher Lin; painting by Alberto Ortega
Cover design by Tom Etherington
Cover design by Jon Gray
Cover design by Kaitlin Kall
Cover design by Matt Dorfman
Cover design by Vi-An Nguyen
Cover design/AD: Alison Forner; type/lettering: Andrew Footit
Cover design by Pete Adlington
Cover design by David Pearson
Cover design by Joan Wong
Cover design by Tyler Comrie
Cover design by Sunra Thompson; illustration by Kristian Hammerstad
Cover design by Eli Mock
Cover design by Suzanne Dean; illustration by Takaya Katsuragawa
Cover design by Donna Cheng
Cover design by Jack Smyth
Cover design by Jonathan Pelham
Cover design by Perry De La Vega
Cover design by Jamie Keenan
Cover design by Gregg Kulick
Cover design by Luke Bird; photo by Graciela Iturbide
Cover design by Sarah Schulte
Cover design by Na Kim
Cover design by Tyler Comrie