When advertising people get together as about fifteen of us did last Tuesday, October 6, courtesy of Bill Oberland, Jason Harris and Indie at Large, you'd be right to anticipate some carping.
That does not mean fish was served.
We met in a top floor space for dinner, drinks and discussion at a penthouse on West 4th Street, and we followed the all-too human predilection. We complained about how everything's changed and nothing's as good as it used to be. And we weren't wrong.
For all my personal lugubriousness, I have a fractured relationship with pessimism.In fact, I'd say I'm optimistic about pessimism. I'm upbeat about the downbeat. My blues are multi-hued.
That is, no matter how dark things seem, something in me keeps fighting, keeps trying, keeps believing that somehow we can make things better. Maybe I've read Viktor Frankl's "Man's Search for Meaning," too often. Or maybe I've taken it too much to heart. But resisting despair is the best way to deal with despair.
At dinner on Tuesday, we had a rectangular-table discussion about the pressures Indies face.
There's the anti-competitive pressure from the big four holding company oligopoly. The downward pressure on pricing. The stupid obeisance and belief in AI. And more.
As usual when I am with other people, I don't go along with anyone. I seldom agree with or even experience the same things that other people go through.
I think what makes me me can be simply summed up. I don't follow rules and I work hard to be different. Or, I just am.
If the industry says good advertising becomes a part of culture, well, I just don't believe it. As someone who is cultured, I don't want brands interfering with my culture. I prefer my culture, my sports, my "experiences" without brand logos interpolating the fuck out of them.
If the industry says we have to lower our prices to compete, I'm apt to say (to myself) law-firms and McKinsey ain't lowering their prices. I'm as smart as they are--and I can write ads--why should I?
You might say that my personal brief, or what used to be the brief for every good creative and every good agency is the one that Chiat\Day wrote for Apple almost 30 years ago: Think Different.
Instead, 97.978-percent of the industry Thinks Same. And calls it 'best practices,' and follows the rules laid down by the consultants, MBAs, technologists and insurance-salespeople who never worked in advertising and who today run the remnants of the contracting (non)-industry.
If you look like anyone else,
if you behave like anyone else,
if you judge yourself by anyone elses' standards
(including Cannes')
you're doing it wrong.
If you read the bought-and-paid-for advertising-trade PR-organs, (Adweek and Advertising Age) and you have the stamina to do a word search, you'll quickly learn that most clients are looking for speed, cheapness and efficiency. And awards.
![]() |
| Well made. Well designed. Built to last. |
![]() |
| Cheap. Shoddy. No lasting value. |
That's why commercial breaks, which used to offer something to look at like a nice up-scale neighborhood, now look like shanty towns or a mobile-home park after an EF-5 tornado.
Years ago, I read Adam Morgan's "Eating the Big Fish." It lays out some rules for upsetting the apple-cart. For challenger brands, which is what we're supposed to be, no matter our size. We're supposed to afflict the comfortable and comfort the afflicted.
I'm surprised more people haven't memorized this or stored it on their hard-drives.
What here doesn't make sense for you?











