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Over the weekend, my
wife and I spent a fair bit of our disposable income—our money that hasn’t yet,
by a corrupt tax-code, been transferred from us to our nation’s burgeoning
billionaire class—to attend the 20th Annual New Yorker
Festival.
(We hear a lot in our
business these days about brand activations and experiental happenings and
sundry events. I usually scoff at such crap because to my jaded eyes they are
usually long on stunt and short on brand affinity. When a bank builds a giant
gingerbread house or The Economist magazine doles our mini-non-meat sausages on
the street, I don’t get what they’re trying to do or say other than ‘look at me
look at me, I’m cool and insouciant.’ Mostly to me such activities make brands
look desperate. They’re too intrusive and they’re trying too hard. What’s
more—they’re coopting things, or trying to, that should be left the fuck alone
by commerce and commercialism. Keep your names off my stadia, leave my public
theater alone, and for god’s sake, take your logos off every square inch of
every sporting event including the uniforms and, I’d guess, jock straps of
everyone who grunts for a living.)
But I digress.
Back to the New Yorker
Festival. My wife and I went to three talks on Saturday. The first was a
conversation with cookbook author and cooking show star, Ina Garten. The middle
was a substantive chat between the wise and erudite Pete Buttigieg and the
New Yorker’s equally-brilliant editor, David Remnick. Finally we saw Guggenheim
Fellow, Jane Mayer interview the warm, passionate and passionately liberal
Speaker of the House, Nancy Pelosi.
The talks were held in
the vaulted 1,000-seat auditorium of the Ethical Culture School on Central Park
West at 63rd Street. Over one of the doorways in the building,
I noticed some words that I liked. They made me think a bit—about life and our
lives in advertising.
The
words were simple. And like simplicity when it’s really good, profound. They
read, “Deed before Creed.”
Right now at work I am
up to my pupik in what is probably the most challenging and demanding
assignment of my long and, yes, storied but dreadful career. I am working on
ads that with any luck will help a company recover from a series of terrible
disasters. Again, with any luck, in just a few more turns of the earth, the ads
will be in major newspapers around the world.
I am, right now,
preparing myself for the criticism and rebuke these ads will receive, at the
very least in the advertising community. Purposefully so, they haven’t been
designed and written to do anything that wins the acclaim from people who leave
their offices for weeks at a time to drink blue drinks and judge the
“creativity” of work.
I could give a rat’s ass
about creativity for creativity’s sake.
I have a client who has
a major, existential problem on their hands. And I am working with a small
group of colleagues and clients (and lawyers and lawyers and lawyers) to solve
it.
Going back a few hundred
words, I have a deed to do. The right thing for this particular client at this
particular time. The creed of cool, of creativity, of tricks and adornment have
nothing to do with the deed of helping a client who is in trouble.
This is not to say, I
have abandoned my craft, my skill, my creativity and my integrity. I am
applying liberal quantities of those things, but only in ways that advance the
deed required of me.
I think the advertising
industry has become one giant selfie. Advertising isn't meant to be a game
of "Look at me. Look at me." We are not meant to be more interested
in our own swagger and our own brand than in the brands who pay us.
We are in a bad,
unethical way.
It must change.
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